Nicolas Dumit Estevez Making New York
New York is a city that is ripe for performance art. This elusive discipline, that still, after all these years, raises a few eyebrows, particularly by those who refuse to understand it, has had a fantastic run in New York. There have been moments of great cultural activity, where performance becomes central to the quotidian life of the artist-as-citizen here. There have likewise been moments when things seem to come to a standstill and the culture of the city seems to give over to financial nervousness, and it’s hard to see anything new on the streets.
The current core group of artists who find themselves connected through the support of Franklin Furnace seem to be pushing the watermark higher once again, by the weight of the volume of their work, as well as by the depth of complexity of the work itself. One of the artists who seems to be always pushing, and always working on new projects, is Nicolas Dumit Estevez . Some of his work is perfectly suited for more anonymous observation, such as when it’s displayed in places like El Museo del Barrio , or by discrete viewings of his Orange Cowboy film on youtube, but it’s real strength becomes more apparent when the live element is present.
That’s all to say, it becomes alive when the performer’s body is there. It may seem like an obvious point, but in performance art, that makes all the difference. It’s certainly interesting enough to make plans to stay in a New York cheap hotel to catch the work when he’s performing in town, and locals who are even tangentially connected to the art world here may have participated in his democratic performance events without even realizing it. Whether observing him walk backwards through the city, the performance of alter egos like Super Merengue, or offering samples of plantains cooked as representations of a Dominican exotic other, there are plenty of opportunities to catch, or to fall into, the next wave of performance art in the Americas.